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"I dreamed of New York, I am going there."
On May 31, 1953, twenty-year-old Sylvia Plath arrived in New York City for a one-month stint at "the intellectual fashion magazine" Mademoiselle to be a guest editor for its prestigious annual college issue. Over the next twenty-six days, the bright, blond New England collegian lived at the Barbizon Hotel, attended Balanchine ballets, watched a game at Yankee Stadium, and danced at the West Side Tennis Club. She typed rejection letters to writers from The New Yorker and ate an entire bowl of caviar at an advertising luncheon. She stalked Dylan Thomas and fought off an aggressive diamond-wielding delegate from the United Nations. She took hot baths, had her hair done, and discovered her signature drink (vodka, no ice). Young, beautiful, and on the cusp of an advantageous career, she was supposed to be having the time of her life.
Drawing on in-depth interviews with fellow guest editors whose memories infuse these pages, Elizabeth Winder reveals how these twenty-six days indelibly altered how Plath saw herself, her mother, her friendships, and her romantic relationships, and how this period shaped her emerging identity as a woman and as a writer. Pain, Parties, Work—the three words Plath used to describe that time—shows how Manhattan's alien atmosphere unleashed an anxiety that would stay with her for the rest of her all-too-short life.
Thoughtful and illuminating, this captivating portrait invites us to see Sylvia Plath before The Bell Jar, before she became an icon—a young woman with everything to live for.
- Sales Rank: #551535 in eBooks
- Published on: 2013-04-16
- Released on: 2013-04-16
- Format: Kindle eBook
Review
“An illuminating biography . . . which floods clarifying light on a chapter of the poet’s early life that Plath painted in jaundiced tones in The Bell Jar.” (New York Times, Sunday Styles Feature)
From the Back Cover
"I dreamed of New York, I am going there."
On May 31, 1953, twenty-year-old Sylvia Plath arrived in New York City for a one-month stint at "the intellectual fashion magazine" Mademoiselle to be a guest editor for its prestigious annual college issue. Over the next twenty-six days, the bright, blond New England collegian lived at the Barbizon Hotel, attended Balanchine ballets, watched a game at Yankee Stadium, and danced at the West Side Tennis Club. She typed rejection letters to writers from The New Yorker and ate an entire bowl of caviar at an advertising luncheon. She stalked Dylan Thomas and fought off an aggressive diamond-wielding delegate from the United Nations. She took hot baths, had her hair done, and discovered her signature drink (vodka, no ice). Young, beautiful, and on the cusp of an advantageous career, she was supposed to be having the time of her life.
Drawing on in-depth interviews with fellow guest editors whose memories infuse these pages, Elizabeth Winder reveals how these twenty-six days indelibly altered how Plath saw herself, her mother, her friendships, and her romantic relationships, and how this period shaped her emerging identity as a woman and as a writer. Pain, Parties, Work—the three words Plath used to describe that time—shows how Manhattan's alien atmosphere unleashed an anxiety that would stay with her for the rest of her all-too-short life.
Thoughtful and illuminating, this captivating portrait invites us to see Sylvia Plath before The Bell Jar, before she became an icon—a young woman with everything to live for.
About the Author
Elizabeth Winder is the author of a poetry collection. Her work has appeared in the Chicago Review, Antioch Review, American Letters, and other publications. She is a graduate of the College of William and Mary, and earned an MFA in creative writing from George Mason University.
Most helpful customer reviews
20 of 21 people found the following review helpful.
"People are like boxes. You would like to open them up and see what's inside, but you can't."
By Amelia Gremelspacher
In this eminently readable book, Syliva Plath is quoted as saying this to her startled friend Laurie after a day at the zoo. Her friend thought she might have been referring to the people watching they had done, but I think Sylvia meant herself. This book centers around the dream job of junior editor at Mademoiselle given to Sylvia and nineteen other girls. Curiously, a covert hand writing expert had warned her staff that she was likely to suffer a breakdown, something she found out by accident. Her editor saw her to be all facade. "You might be there another day and find an entirely different personality."
Interspersed within the discourse are a multitude of quotes and observations made by the people who interacted with this brilliant young woman. Her own journal is quoted where possible. And her works at Mademoiselle are cited. This technique should make for boxy and irritating flow to the prose, but in fact achieves just the opposite. And I believe this interspersing of stories emphasizes the inner contradictions suffered by Sylvia. If nothing else, she experienced the conflict of needing solitude to write while working in a deeply social setting.
The "normalcy" of the bright and shining writer has long confounded readers. She adored fashion, ate to satiation, and enjoyed luxury. When not pulled back into herself, she could be entertaining and wryly funny. To me this work actually seems to complete a piece of the puzzle of the illness of the golden girl. Now, years later, psychiatry is well acquainted with the tragedy of the young person glinting with potential returning home from college and or work in complete breakdown. At the age of twenty, Sylvia was ripe for the breathrough of genetic predisposition or for the expression of neurochemicals or for the appearance of whatever theorized function of this breakdown that can occur in early adulthood. While the stress of Mademoiselle probably hastened the process, it seems unlikely to have caused it.
This interpretation of Plath's illness added a dimension to this novel for me. But one certanily can find contradictory meanings to mine and still feel trememdously fulfilled by the skill of this work. The author has taken a risk in format and I think it paid off well. The prose is deeply compelling and one can almost feel that you can put down your book and find yourself in the newly stylish New York of the middle of the century. I highly recommend that you read this book.
26 of 30 people found the following review helpful.
Captivating Attention to Detail
By Richard Sims
I've little/no interest in the standard "tortured artist" tropes about Plath, and that's why this book appealed.
Instead of focusing on the negative - Plath's later depression, unhappiness and eventual suicide - the book celebrates the life and times of a young woman discovering young adulthood in New York City.
Winder's attention to detail is utterly captivating, and central to the books appeal. Want to know what the carpet looked like in the Barbizon Hotel? Check. Want to know what lipstick Plath wore? Check. Want to know what she thought of her peers? Check.
Instead of supposition and speculation, we've first hand testimonial and recollection from Plath's friends.
Highly recommended.
12 of 14 people found the following review helpful.
Nonfiction Companion Book for The Bell Jar
By WhereWaldoFindsHimself
Part of author Elizabeth Winder's title,(Pain, Parties, Work,) may derive from a line early in the first chapter of Sylvia Plath's novel, The Bell Jar, page 3, "Only I wasn't steering anything, not even myself. I just bumped from my hotel to work and to parties and from parties to my hotel and back to work like a numb trolleybus."
The Bell Jar is a classic novel. A fictionalized autobiography about a woman's descent into mental illness in the middle of the twentieth century. The power of this deeply personal story is as iconic as that of Marilyn Monroe, a contemporary, who was faced with some similar pressures in the pre-feminist world of the 1950's and early 1960's. Winder even recounts a dream Sylvia had about Marilyn.
In testimony to it's popularity, The Bell Jar still fetches a fairly high price on this website, as well as elsewhere, and is still required reading in some literature courses. Sylvia Plath's poetry is what appeals to me the most, so when I saw the title of Winder's book, I knew I wanted to read and review it.
As a nonfiction book, it has an extensive bibliography and provides comments from the other guest editors who were invited to that summer internship at Mademoiselle, as well as minute details of the fashions, the food, the wild nightlife. I hadn't read The Bell Jar before Winder's book, so I felt overwhelmed by the amount of detail and facts, wondering what purpose it all served.
So I read the novel, and suddenly all those details and facts corroborated the thinly veiled truth of Sylvia's story. I believe each book strengthens the other, that's why I rate Winder's four stars. By itself, it isn't nearly as important as it becomes as a companion reader to The Bell Jar.
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