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The Financier: A Novel, by Theodore Dreiser
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The Philadelphia into which Frank Algernon Cowperwood was born was a city of two hundred and fifty thousand and more. It was set with handsome parks, notable buildings, and crowded with historic memories. Many of the things that we and he knew later were not then in existence—the telegraph, telephone, express company, ocean steamer, city delivery of mails. There were no postage-stamps or registered letters. The street car had not arrived. In its place were hosts of omnibuses, and for longer travel the slowly developing railroad system still largely connected by canals. Cowperwood's father was a bank clerk at the time of Frank's birth, but ten years later, when the boy was already beginning to turn a very sensible, vigorous eye on the world, Mr. Henry Worthington Cowperwood, because of the death of the bank's president and the consequent moving ahead of the other officers, fell heir to the place vacated by the promoted teller, at the, to him, munificent salary of thirty-five hundred dollars a year. At once he decided, as he told his wife joyously, to remove his family from 21 Buttonwood Street to 124 New Market Street, a much better neighborhood, where there was a nice brick house of three stories in height as opposed to their present two-storied domicile. There was the probability that some day they would come into something even better, but for the present this was sufficient. He was exceedingly grateful. Henry Worthington Cowperwood was a man who believed only what he saw and was content to be what he was—a banker, or a prospective one. He was at this time a significant figure—tall, lean, inquisitorial, clerkly—with nice, smooth, closely-cropped side whiskers coming to almost the lower lobes of his ears. His upper lip was smooth and curiously long, and he had a long, straight nose and a chin that tended to be pointed. His eyebrows were bushy, emphasizing vague, grayish-green eyes, and his hair was short and smooth and nicely parted. He wore a frock-coat always—it was quite the thing in financial circles in those days—and a high hat. And he kept his hands and nails immaculately clean. His manner might have been called severe, though really it was more cultivated than austere. Being ambitious to get ahead socially and financially, he was very careful of whom or with whom he talked. He was as much afraid of expressing a rabid or unpopular political or social opinion as he was of being seen with an evil character, though he had really no opinion of great political significance to express. He was neither anti- nor pro-slavery, though the air was stormy with abolition sentiment and its opposition. He believed sincerely that vast fortunes were to be made out of railroads if one only had the capital and that curious thing, a magnetic personality—the ability to win the confidence of others. He was sure that Andrew Jackson was all wrong in his opposition to Nicholas Biddle and the United States Bank, one of the great issues of the day; and he was worried, as he might well be, by the perfect storm of wildcat money which was floating about and which was constantly coming to his bank—discounted, of course, and handed out again to anxious borrowers at a profit. His bank was the Third National of Philadelphia, located in that center of all Philadelphia and indeed, at that time, of practically all national finance—Third Street—and its owners conducted a brokerage business as a side line.
- Sales Rank: #705221 in eBooks
- Published on: 2012-12-27
- Released on: 2012-12-27
- Format: Kindle eBook
Amazon.com Review
Based on the life of flamboyant financier C.T. Yerkes, Dreiser's portrayal of the unscrupulous magnate Cowperwood embodies the idea that behind every great fortune there is a crime. You don't read Dreiser for literary finesse, but his great intensity and keen journalistic eye give this portrait a powerful reality.
Review
Praise for Theodore Dreiser:
''Theodore Dreiser is a man who, with the passage of time, is bound to loom larger and larger in the awakening aesthetic consciousness of America . . . If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, Theodore Dreiser is the pioneer and the hero of the movement.'' --Sherwood Anderson
About the Author
Theodore Dreiser (1871-1945), American novelist, was born in Terre Haute, Indiana, and attended Indiana University. He began his writing career as a newspaperman, working in Chicago, St. Louis, and Pittsburgh. His first novel, Sister Carrie (1900), was purchased by a publisher who thought it objectionable and made little effort to promote its sale. With the publication of The Financier in 1912, he was able to give up newspaper work and devote himself to writing. He became known as one of the principal exponents of American naturalism, and in 1944, he was awarded the Merit Medal for Fiction by the American Academy of Arts and Letters.
Geoffrey Blaisdell is a professional actor who has appeared on and off Broadway, in Broadway national tours, and in regional theater.
Most helpful customer reviews
38 of 42 people found the following review helpful.
Fascinating exploration of wealth, power and back-stabbing
By Barbara E. Marsh
I must point out that Mr. Dreiser is one of my favorite authors. Sister Carrie, Jeanne Gerhardt (sp?) and An American Tragedy are the finest books on American society in the same manner that Anthony Trollope's works on Victorian England are the finest of their ilk.
The Financier takes the reader to Philadelphia just prior to and around the time of the civil war. Mr. Cowperwood starts small,dreams bigger and free-falls gigantically. The power plays and court trial are fascinating studies of human nature and a treatise on Dreiser's nature -vs- nurture views.
But far deeper in the story lies the its heart- Coperwood's love for one of his financial partner's daughters. The lengths they go to keep the relationship going matched with the lenghts her father goes to stop it (she is much younger and he is married) is a fine a redition of love against the odds as you'll read.
Its amazing how a sophmoric book like "Martin Dressler" can win a Pulitzer Prize while the journalistic genius of Mr. Dreiser remains on the fringes of mainstream of American Literature.
12 of 13 people found the following review helpful.
Dreiser - an early great in modern American fiction
By Shawn S. Sullivan
Theodore Dreiser writes a towering novel in The Financier. It would be a grave oversimplification to state that this is a novel about "business". Rather, he is among the very first American writers that dealt with realism. Frank North was certainly another. Between them they mark an inflection point in writing. They wrote about the world as they saw it, somewhat akin to journalism. They didn't mind, but rather relished, getting "dirty" in the world of commerce. Men toiled in this world - why not write about it and the troubles and ethical delimas created therein?
This work is about a man's drive, his inability to satisfy himself, relationship destruction, identity loss and society. It demonstrates in very real terms how high one can climb and then fall. It is a book that deals with ethics and ponders about whether needs can ever be truly met by the most driven.
This book clearly belongs up there with the great ones. It shows a writing style and a mind of a genius. It also began to set the pace for some great writing in the 20th Century.
11 of 12 people found the following review helpful.
everyone should read this book
By marvin chester
The book takes place around 1870 but it is as relevant today as it was then. It's not a great work of literature. But it offers insight and illumination into financial manipulation, the workings of society and the philosophical outlook of people for whom achieving wealth and power is of first importance. It also very nicely illustrates the interplay of events and talent. Once you get into it it's hard to put down.
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