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Lost Geography: A Novel, by Charlotte Bacon
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A heart-breaking novel by a prize-winning young writer
In a debut novel that is a triumph of wit and feeling, Charlotte Bacon explores the transitions that sixty years visit upon the members of an unforgettable family--a Saskatchewan woman and her Scottish husband; their plucky daughter, who moves to Toronto; and her remarkable daughter, who lives in France with her Turkish-English husband. Lost Geography takes the complexity of migration as its central subject: Why do landscape, work, and family lock some people in place and release others? In settings both rural and urban, these stalwart, tragically dispersed yet resilient people respond not only to new environments and experiences but to the eruption of sudden loss and change.
As the settings and characters shift in this wise, resonant book, readers are invited to see how habits of survival translate from one generation to another. How are we like our forebears? How does circumstance make us alter what our heritage has told us is important? With unfailing subtlety and elegance, Lost Geography teaches us, in a luminous sequence of intense personal dramas, that what keeps us alive isn't so much our ability to understand the details of our past as having the luck and courage to survive the assaults of both the present and history.
- Sales Rank: #1914351 in eBooks
- Published on: 2002-01-05
- Released on: 2002-01-05
- Format: Kindle eBook
From Publishers Weekly
Everything goes in cycles in Bacon's quietly impressive debut novel (following her short story collection, A Private State), in which three generations of down-to-earth young women weathered by adversity seek less steady but sufficiently tractable men for taming, childbearing, then marriage. For Margaret in Saskatchewan in 1933, her daughter, Hilda, in Toronto, and her daughter, Danielle, in Paris, the more things change, the more they stay the same. All these women are strong, reserved, sensual, practical and capable of one major move, after which they settle down, eternally faithful to their offspring and the mate from whom they are parted only by death. Each man has one or two salient characteristics (Davis is a secret lover of beauty, Armand deals in antiques and generosity, Osman in secrets and gambling), but each couple is similarly devoted, and apart from a mother-in-law or two, sufficient one to the other. No one has friends outside the family. These are quiet people who communicate largely without talking, so the dialogue is limited, apart from pointed stories about earlier generations. Bacon's rather detached third-person narrative, which moves from husband to wife, also keeps the reader at a distance. But her prose has a pleasing simplicity that makes the book a quick and pleasurable read, and she captures moments well, as when Danielle and Osman, getting serious, "sat there for a few more minutes, quietly measuring each other's capacity for danger." Cool as the novel can be, its conclusion, set in 1990s New York, where Osman moves with their children, Sophie and Sasha, after Danielle's death, glows with a hard-won warmth. (Apr.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
The family featured in Bacon's tale moves among Regina, Saskatchewan; Toronto; Paris; London; and New York City and takes place between 1933 and the present. The book opens with the first narrator, Margaret, a nurse, who meets her future husband, Davis, a Scottish immigrant, when she treats him for a bad case of the flu. They fall in love and raise three children: Hilda, Jem, and Stuart. The second narrator, Hilda, then moves on to Toronto, where she creates a new life and gives birth to Danielle, the third narrator. After school, Danielle moves to France and meets Osman Harris, a Turkish-English man. They marry and have two children, Sasha and Sophie, the final narrators of this tale. A neatly interwoven story of landscape, personal history, and survival, this multigenerational first novel contemplates how much we are made up of our past as well as out present. With well-drawn characters and a subtle palette for a plot, this is a very good book about loss and change. For public and academic libraries.
Robin Nesbitt, Columbus Metropolitan Lib., OH
Copyright 2000 Reed Business Information, Inc.
From Booklist
Spanning four generations in her first novel, Bacon closely examines the evolution of women's roles during a period of more than 50 years. Beginning with Margaret, a farmer's wife, and ending with Margaret's great-granddaughter, Sophie, a student in New York City, Bacon focuses on the transition to womanhood and the emotional break each woman makes from her own mother in order to become an adult. Margaret becomes a nurse before settling down on a farm in Saskatchewan with her new husband. When she dies, her daughter, Hilda, moves to Toronto, gets a job at a travel agency, and then has a daughter, Danielle, out of wedlock. Danielle vacations in Paris, where she meets and marries a Turkish carpet salesman. When she dies, her daughter, Sophie, is sent to school in New York. Uncertain of herself but determined to pursue her dreams, each woman is shaped by the social conventions and prescribed gender roles of her time, and each must find a way to be happy despite the limitations placed upon her. Bonnie Johnston
Most helpful customer reviews
10 of 11 people found the following review helpful.
Finding one's place on the map...
By Dianne Foster
Images of maps, bits of geography float through this excellent story of four generations of women--Margaret, Hilda, Danielle, and Sophia. Margaret is a nurse in Saskatchewan when she meets her future husband Davis, a Scots immigrant searching for his fortune in the new world. Davis, felled by a fever, changes course and settles down as a farmer-husband-parent. Daughter Hilda chooses to move onto Toronto where she makes a different kind of life with an antiques dealer. Margaret's granddaughter Danielle leaves her mother Hilda and migrates to Paris where she meets Osman, a dealer in antique oriental rugs. After Danielle dies, Osman and their two children Sasha and Sophia move to New York to begin again.
On the surface, the stories of these women's lives do not contain obvious morals or seem to have a purpose other than their recounting. However, this is a tale not only of shifting landscape, but of the search for one's place in the geography of the heart. It puts me in mind of the short-story novels of Alice Munro--'Friend of My Youth' or 'Lives of Girls and Women.' The richness of the text is like a Bazaar. Colorful and original images abound--the grandmother who is bent like a cipher and feels like a raspy husk when she hugs you; the former library-cum crater, filled with mushrooms feeding on mouldering books and lined with Queen Anne's Lace; the little boxes filled with copper pennies turned green, stacked and hidden behind the old kitchen stove--and rugs, maps, and mellow old wooden antiques. Bacon's writing is as rich as the antique Yatak pictured on the book jacket.
5 of 5 people found the following review helpful.
deeper than it seems
By camm
Lost Geography is a story about the search for each character's place in the world. Each character is uprooted from the familiar and must find a place that 'fits' in a new and strange landscape in which they are in many ways an outsider. And as they find a place in which they 'fit', they find that each choice closes off channels of possibility, of adventure, and that in settling into their place, they must face up to the joy and pain of real (though sometimes mundane) life. These common threads of exploration, adaptation, choice, these tie four very different generations together. Margaret and Davis find on their wedding night that they really do fit. Hilda finds Armand, then devotes herself to her daughter. Danielle is both the light and the anchor for Osman's roving soul. And Death is, inevitably, part of life. In this story the separation of children from their parents severs them from familiar modes of understanding, from their history, and this forces them, with varying degrees of success, to forge new ways of understanding their place in the world.
I found the last scene quite moving. Osman's carpets, thick with dust from their previous owners, are a piece of history that he cannot let go of, just as he cannot let go of his memories of Danielle. Lost Geography is an easy read, but I believe the 'morals' may be deeper than it seems at first glance. Osman's story as he tells it to his children during Danielle's illness may be much like Bacon's intention for her novel. Sasha and Sophie are disappointed with the story because they did not expect such an abrupt ending. "What's the moral?" they ask. And avoiding cliche, Bacon also seems to answer casually, "I don't know," leaving the pondering to the reader.
Bacon has a talent for carving out unique characters in simple, spare terms. With love stories that resonate with deep romance, subtle shades of understanding, sharp observations about people's intentions, Lost Geography is a very moving account of four generations of 'migrants', in the literal and metaphorical sense of the word.
8 of 9 people found the following review helpful.
Beautifully written story!
By A Customer
Lost Geography is a beautifully written book. The discriptions of place, and the thoughts of each character are so poetic and unique it took my breath away. It is a generational story about the way we fall in love, how fate and place and those we meet shape us, how our plans may get changed but life can lead us to the unexpected, that even through pain there is joy. Charlotte Bacon weaves us a tapestry with her words and characters. You should read it.
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